My new psychological thriller, THE FAKE DATE…!!

This is a glorious cover for Lynda Stacey’s fourth novel – looking forward to seeing it on my Kindle in September!

Lynda Stacey Author

It really doesn’t feel that long since I announced that I’d won the Choc Lit Search for a Star competition, and now here I am announcing BOOK 4…. I have no idea how that happened, except for the fact that I love writing, I love it when readers enjoy my books and leave the most amazing reviews. So today, I’m absolutely delighted to reveal the cover of it, my new psychological thriller, THE FAKE DATE..!

The Fake Date

And of course, it’s now available for pre-order on

Release date: 18th September 2018


Nine hours and eleven minutes…

That’s how long it’s been since Ella Hope was beaten to within an inch of life and left for dead.

She lies, unable to move and praying for somebody to find her, as she counts down the minutes and wonders who could have hated her so much to have hurt her so…

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This Cider House Rules: An Interview With Martin Thatcher.

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Apple blossom at the Keenan house

First of all, apologies for the radio silence these past few weeks- I’ve been up to my ears in book 3, working on the manuscript ready to send to my agent, as well as the usual work, life and child related stuff, and one or two other unexpecteds that threw my groove a bit. However, I’ve now had book 3 back and I’m ready to embark on some edits. Before I do, I thought I’d write about the lovely interview I did this week.

Those of you who have been following my progress as a writer, and in fact, anyone who has read the first two Little Somerby novels, will know that I set the stories in a fictional Somerset village which looks a lot like the parish where live. I love to write about real places, as there are so many beautiful locations in Somerset to include. One of the most prominent landmarks in the novels is my version of a large cider farm, Carter’s Cider, the geography of which which was inspired pretty directly by the Thatchers Cider site in Sandford (no, Hot Fuzz fans, not that Sandford, that was actually Wells, a bit further down the road, but they do have their similarities!).

I know the site quite well, since I grew up virtually next door, and so it seemed the perfect place to include in the novels. And you all know just how much I love the oak vats :). So, when I was given the opportunity to interview Martin Thatcher, the current Managing Director of Thatchers Cider, I jumped at the chance. It was great to pick his brains for some technical information for book 3, but also to ask some questions to someone who has spent a lifetime involved in the cider business; someone who, if you like, really does have it running through his veins. So, on a beautiful sunny day in Sandford, I took a stroll up the road from my parents’ place to the offices of the multinational cider company with a local pedigree, Thatchers Cider….


This Cider House Rules: An Interview With Martin Thatcher.

Thatchers,  20th Jan 2017

Photo courtesy of Thatchers Cider

The main office of Thatchers Cider is a cool, welcoming place, and as I walk through the doors I can’t help but notice the mix of contemporary oak and glass with the old stone building, and how perhaps that blend is a metaphor for the business itself. Thatchers, after all, was established in 1904, and is now in its fourth generation. The business has grown and expanded exponentially over the years, and now exports to Australia and the United States, among other countries. But is it still the family firm it once was? I am looking forward to finding out.

I am greeted with a friendly smile by the receptionist, and in a short time I come face to face with the current Managing Director, Martin Thatcher. I’m pleased to get a warm welcome from him and his assistant (after all, I’ve made no secret of the fact I’ve written what is now a trilogy of books where his manor is quite a central focus, albeit in a fictional sense, and up until now I’ve had no idea what he thinks about my use of the cider farm in fiction!). We sit in a quiet, bright and airy office and I breathe a sigh of relief.

There is so much I want to ask, and I’m very aware that I only have an hour or so to do it, so we get straight to it. After an explanation of the role and process that a taster has,  (the heroine of my current WIP is an expert taster, and I needed to know what that would involve), and some conversation about the role of the Cider Maker, we move on to the experience of running the business itself.

The Business, and the Buzz Words

Alongside the more technical questions I ask, (is blending and tasting the same thing? No, they’re different jobs), it is lovely to get Martin’s perspective on what it’s like to be at the head of  the business. That balance between local responsibility, staying true to the founding principles while also moving forward, is something that is clearly very important to him. I am particularly struck by something he says about the inevitable jargon and administration that comes with running a successful multinational enterprise. You might think that someone who oversees such a complex business might be caught up with the current buzz words and management speak, but not from what I can gather. As a lover of words and a hater of business-speak myself, it is refreshing to hear his disdain for the use of the word ‘resources’ instead of people. This view is  also particularly evident from the large proportion of his staff who live locally (nearly a fifth). Quite an impressive statistic, considering the rise in rural house prices these days!

History versus progress?

Of course, I am also interested to know what it is like to work in a business where, inevitably, one eye is on the future while the other is mindful of the fourth generation heritage. How do you balance the responsibility to the past with a vision for the future? The answer, it seems, is to take a practical approach. While the big picture might be balancing the scales between history and hereafter, the day to day involves not getting too caught up with the corporate desires for reporting ad nauseam. Martin claims an interest only in reports that will take the business forward (what will happen is more important than what has happened, unless you can learn from it). That’s something that was clear from the outset – balance is key, just like making the best cider!

A family affair

One of the things that really strikes me is just how much a family business Thatchers really is. When asked what it’s like to work with close family, Martin, with a wry smile, reminds me that I have written about the relationship between a driven son and a cantankerous father (Matthew and Jack Carter do have some, er, interesting conversations in the first two Little Somerby novels!). In reality, he says, working with the family is something they’re all very used to, and though they might have different ideas about how to get somewhere, the ultimate destination for the business is something they tend to agree on. To be honest, I don’t think Thatchers would have seen the success it has if that wasn’t the case! While conflict is good for fiction, it wouldn’t be quite so helpful in the real world. And it seems the next generation is waiting in the wings, too. One of the interesting things Martin says is that the current generation will be judged on the actions of of the previous one, and he’s determined to pass the business on in the best form he can to his children. I think that’s a lovely sentiment!

Best experiences

When asked what the high points are of his role, he is equally candid and impassioned; walking early on a Spring morning among the dew soaked trees of Myrtle Farm’s orchards, watching the sun rise over the vale, is an experience that would make anyone’s heart beat faster, and may have been used to capture the hearts and minds of certain suppliers of the Thatchers products over the years, too! It certainly sounds like something out of a romance novel! In fact, I might well develop that scenario in one of my own at some point…

There is also something to be said, he admits, about the scent of pressing apples, that emanates from the Thatchers site in the early autumn, and is high up on his list of the best things about being a cider maker. Having spent many Septembers in the village myself, I can definitely concur. The scent hangs in the air like Somerset’s own perfume. That aroma has definitely made it into a novel…The Second Chance Tea Shop, in fact!

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The ‘magical’ cider vats, from the 2015 open day

The magic of the vats

It’s no secret that I was inspired to write the first of my Little Somerby novels by a very specific memory that was triggered while I was on maternity leave with my second child. I’ve written about it before, but it became important when I realised it was a jumping off point for writing a whole novel. My experience of seeing the vats for the first time as a dreamy seventeen year old, and that sense of them just singing with stories and tales was something that stayed with me for a long time, and even now sends a shiver down my spine. Somehow, when I first encountered them, it was as if, when I put my hand on the side of one of them I could just feel the magic; as if they were talking to me. If you don’t believe me, go on a tour and feel it for yourself.

The huge oak cider vats are part of the iconography of the cider business, and it seems that they haven’t just inspired me, but many, many people, including Martin himself, who refers to what happens in the vat barn as ‘magic’. At the moment, visitors to the site only get to see the vats if they’re on a tour (a pity – I was dying to ask if I could take a quick look while I was there, but didn’t quite have the nerve!). There’s no doubting the mystique that they hold – you might even say they have a mythical status in the Thatchers story. They are a true icon of the business, and it’s safe to say that their future is assured with the plans that are afoot to showcase and preserve them for the generations that follow. Soon, I am told, they will be housed in a more modern building that will ensure they continue to work their magic for years to come.

Fiction versus reality

And so I finally ask the question I’ve been most nervous about; how does the Managing Director of Thatchers Cider feel about the fact I’ve put his site into a work of fiction? Am I just about to be given my marching orders? Well, it is with some relief I can reveal that Martin is pretty OK with it, and might even just be a little bit flattered.  I think it helps that his wife has read The Second Chance Tea Shop and apparently liked it, despite one or two coincidences that made me giggle when I found them out! He himself claims to have read about half the novel, which is not a bad endorsement, considering he’s not exactly the target audience! So it seems I’m safe to keep referencing the notable landmarks of Thatchers in the name of bringing to life Carter’s, and might even be allowed on site in 2019 to sell some copies of the novels on the next Thatchers open day (watch this space…). I do feel genuinely pleased that he’s taken the fictionalising of his firm so well, since I’ve had so much fun (and quite a bit of success) from writing it into my love stories.

So all in all, it was great to be able to sit down with Martin Thatcher and ask some questions, and it has definitely given me not just the information I needed for book 3, but also satisfied my curiosity about what it’s like to be at the head of such a successful business. And the only question I didn’t dare ask? What happened to the apostrophe in the company name? (But perhaps that’s for another time!).

My thanks to Martin for his time, and also to Angie Meek for arranging the interview, and Kelli Coxhead for setting up the connection – you’ll all get a shout out in book 3’s acknowledgements in 2019!


Want to buy the novels? Here are the links!


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Hello, I’m Listening

A great post from lovely Lisa Hill about the psychology of romance writing, and many other things to give you hope on a rainy Tuesday afternoon :).

Lisa Hill

I feel a cloud has lifted for me recently. I wonder if it’s a dark cloud which has  darkened my mind for over two years, perhaps from when Dad was terminally diagnosed in the beginning of 2016. I’m not entirely sure but as we move into Spring (and, my, hasn’t it been a long winter?), a time of new beginnings, new life, fresh buds, that I am beginning to blossom myself.

At the end of last year, I didn’t feel in a very good place. The fact is 2017 should have been a good year, one of the best in fact, as after almost a decade of working towards it, I was finally published. Alas, the sheer excitement was short lived. Not long after I was published, I was offered representation by someone (who will remain anonymous) who advised me to turn down a second contract offered by my, then…

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Bookends and Cold Turkey


So this week is half term week, and I’m supposed to be stepping away from the computer, remembering I have a family and spending some time with The Husband and The Sprogs. As you can see, that’s going well! I’m generally not very good at Cold Turkey, whether that’s biscuits, booze or books…

In all seriousness, this is something I really need to do for a few days. The thing about being in the thick of a first draft, though, is that you end up feeling a bit like Odysseus facing the Sirens. The call of the characters is so strong, that it’s all I can do to step away and ignore them. In fact, I’ve been sneakily adding some bits and pieces to the story since the kids have been in bed (small sprog crashed out on the sofa, and big sprog has just headed upstairs, so I feel less guilty about it, and The Husband has been plugged into the PS4 for an hour or two now), and now that dinner’s in the oven I can add a little more. I guess I’m so used to being a writing ninja that it’s a hard habit to break!

Something I am trying to do now I’m on the home stretch of the first draft is to bookend the chapters. As you know if you’ve ever read any of my blog posts about my so-called process, I write everything out of sequence and then stitch it together usually after there’s about 50k in place. I work to a maximum word limit these days of 100k, so once it’s about half done, I can usually get things in a rough order. For this current novel, I’ve also been writing in plotlines, as there are three distinct strands to follow, all concerning different characters (some are familiar characters, and some are brand new ones). This stranding has made putting things together a bit easier, and working out where the ‘beats’ of this story should fall easier, too.

But the bookending is something a little different. I tend to write myself into scenes by using dialogue. I hear characters so clearly in my head that I like to start every scene at first draft stage with some sort of conversation, but of course that wouldn’t work structurally for a whole novel – it would get awfully repetitive! So what I tend to do at this stage, when I’m about 60-70k in and stuff is vaguely in the right order, is to write the openings and endings to the scenes I’ve already written. These are my bookends, and it’s where I can set the dialogue into its context. Of course, I’m aware all the time of the dreaded ‘information dump’, which I’m trying not to do, as with the novels I write, it generally is all about characters driving the action, rather than plot, and I don’t want to slow the pace. Probably, a lot of what I add now will come back out again later, but there does need to be an element of scene setting to frame all the conversation! But the bookending process is a useful one, mainly to set characters in their environment and give the reader some context and when and where stuff is taking place. I wish I could drop a quick example in, but I don’t want to give anything away just yet about book 3’s plot and characters! Let’s just say that I think, if you liked the first two books, you’ll find a lot to like in this one, too :).

The Last Jedi fanfic roundup


So, in between getting some good wordage done on Little Somerby book 3 (and having a cracking idea for the climactic scene of *gasp* book 5!) I’ve been writing Star Wars fanfic again, and I thought it might be a good idea to post  list of links and fic summaries for those who might be inclined to read them. All rather Reylo-centric, all one shots of varying lengths from 500-2000 words, they’ll take no time to read, and hopefully might push a few buttons for those of you who are, like me, counting the days to Episode IX :).

So…here we go…


After General Organa’s death, there was nothing. The Force Bond between them had been silent, severed since the doors closed on the Falcon. But today, at Leia’s memorial commemoration, she feels him again. And he’s hurting.

Spoilers for ‘The Force Awakens’ and ‘The Last Jedi’.


Notes and summary: Post TLJ fluff. I’m intrigued by thirsty!Rey. Luke’s line ‘this is not going to go the way you think,’ rings true here, too ;). Rey and Ben might not be opening the door to each other while they’re awake, but when they sleep, it’s a different matter. Yes, it’s that trope.


Because we all know that THAT moment in the hut was a metaphor for so much more. And Rey and Ben are so desperate to be touched. Oh dear. Two people who haven’t been held in a long, long time, find a mirror, and a moment of comfort, in one another. Perfect, really.


Ben’s mind is fractured throughout The Last Jedi. This is a snapshot into it.

So that’s as it stands for now…but I don’t think I’ve finished yet! Watch this space…

Prose and Process…

This is still ringing true as I break the 50k boundary on book 3. One thing I would add is a kind of addendum to point #4, which is that writing scenes out of sequence has really helped me to ensure every scene has an explicit focus and that nothing I write is filler. One of the most important things I’ve read from several authors is that every scene MUST either tell the reader something about character or move the plot forward. By writing scenes out of chronological sequence, I’m always cutting to the chase, getting to the heart of the moment, and so far this has seemed to work! Of course, the challenge comes when I have to stitch it together, which is probably my least favourite job…

Fay Keenan


Since I finished looking over the copy edit of book 2, I’ve started to get really stuck in to writing book 3 of the Little Somerby series. As usual, this has led to much thought about what my ‘process’ is when I’m writing, so I thought I’d try to document some of that here, for those who might be wondering what it looks and feels like in my head!

  1. I’m a plantser. That means I plot a bit and I fly by the seat of my (massive, mummy) pants a bit. I generally know the beginning and end of a story when I start, and who the main characters are, but I don’t often know what’s going to happen in between until it happens! Sometimes my characters go off in directions that surprise me. For example, I didn’t know what was going to happen to Meredith in The Second Chance…

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*Blog Tour* Springtime in the Cider Kitchen

Thanks so much for hosting an extract, and for being part of the #Springtime blog tour 🙂 xxx

A Sky Filled With Sparkling Stars Blog


From the bestselling author of The Second Chance Tea Shop…

Caroline Hemingway can’t help but feel a little strange watching her ex sister-in-law marrying the owner of Carter’s Cider Farm, but she’s delighted Anna’s found happiness after the death of her late husband, and Caroline’s brother, James. If only Caroline could find her own love story…

Desperate to escape the rat race, Caroline decides to take the plunge and move to the idyllic village of Little Somerby, where she is given the task of opening and running a restaurant in one of the forgotten barns on the CiderFarm.

But secrets from her past seem destined to haunt her, and not even the attentions of the very dishy Jonathan Carter can distract her from all she’s left behind…

Perfect for all fans of Fern Britton, Katie Fforde and Cathy Bramley.

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Exclusive Extract

Of all the things to do…

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